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Philippe Andre is the musician who made this transcription, and it was really fun to view that. This is the first scrolling thingz he made of my music, and since then, he has made one for the scores of two more recent efforts of mine: But I was going out for an encore and thought of it at the last moment, and it turned out to be for mg anyways, one of the more compelling performances in the set — it had that story to it; it just kind of unfolded.
It is the most related to where I am now as a solo player.
My Favourite Things (Brad Mehldau) Jazz transcription
I draw on a lot of classical music, pop and rock music, music from Brazil, and other stuff. I had the idea of maybe presenting it in a scrolling format, as something that musicians, amateur or professional, might find interesting.
But what he is able to say musically as a soloist within the context of each song combined with his improvisations is simply masterful. But there are also great things that have come out of the newer technology, and there was this opportunity to see and hear my music in a different way.
For instance, if I play something that goes much longer than I originally intended, I will skip something else. That can be exciting and rewarding. Throughout your career you have put your own spin on pop songs written by artists such as Elliott Smith, The Beatles, Nick Drake, Radiohead, James Taylor and many others. Tell us how it compares to your two previous solo recordings, Elegiac Cycle and Live in Tokyoboth personally and musically. Live tjings Marciac is your third solo recording. The challenge and the thrill are one and the same — there is no net; there is absolute freedom.
Ultimately I think of myself as an improvising jazz musician at the end of the day, and one of my talents I guess is assimilating all of that written mehldzu and making it part of what I do.
Mehldau is a dazzling and brilliant player who maintains one of the finest trios in all of jazz.
Brad Mehldau – The Art of Solo Piano – Jazz Online
I have several ideas before I go out on the stage, and I usually stick to around half of them. The core of your playing successfully balances jazz and classical influences.
His breathtaking command of his instrument is undeniable. Can you describe how you negotiate between the two styles in your playing?
Brad Mehldau – The Art of Solo Piano
His blend of jazz and classical styles, the American Songbook, unique covers of pop tunes and originals all seamlessly blend into a fulfilling and varied musical experience.
Live In Marciac is the beginning of a freer approach, I would say, and maybe more ease and fluidity in a musical texture with several simultaneous voices.
Each solo record has been kind of a turning fhings for me — an end of one thing, and a beginning of something else. The challenge there though is to make something with integrity — something that has a story to tell.
My Favourite Things (Brad Mehldau)
I have interviewed Brad many times over the years but this is the first time we focus exclusively on his approach to his solo work. Jazz Online put a little jazz in your life. How do select what pop song to cover?
Tell us about the concept behind the music scroll? I listen to it for pleasure and enjoyment, brqd then a lot of it filters out in my playing. Virtuosic pianist Brad Melhdau first made his mark in the jazz world in with his debut recording Introducing Brad Mehldau and then in the classical arena in with his release Love Sublime with vocalist Renee Fleming.